Dynamics
Dirty Bass
Explore an advanced technique to enhance the bass guitar's presence in a mix. This technique is especially effective in large venues. Creating a ‘dirty bass’ channel adds a distinct edge and clarity to the bass mix. This approach involves using heavy compression and distortion effects. They are traditionally associated with guitar processing. The effects are tailored to enrich the bass without overpowering it.
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Side Chaining Kick In and Out
Explore a technique for gating multiple microphones on a kick drum setup. This approach ensures consistent and synchronized gating. In this discussion, discover how to utilize side-chain gating. This process involves using one microphone’s signal to trigger another microphone’s gating. You can streamline the gating process by linking the gating parameters between the two mics. This eliminates the need to manually adjust settings for each microphone.
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Parallel Compression on Vocals
Dive deep on using parallel compression to make vocals sound larger and more present in a live mix. The technique involves routing vocals through both a dry channel and a heavily compressed channel. Then blend them to add texture and thickness. This approach requires careful attention to phase alignment. It also requires attention to compressor settings to avoid feedback. It also ensures the vocals come forward in the mix without becoming harsh.
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Find the Range on Tom Gates
Eliminate the unexpected openings of the tom gate.
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Handheld Mic Treatment
Deep dive on the EQ, compressor and de-esser on a handheld mic.